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Mary Bousted: The Benefits of Art and Creativity for Educators Wellbeing, and Students Development

On the 28th May schools are being encouraged to fill their social media channels with the arts; drawing, painting, music, dance, poetry, and drama. It was conceived by 9 education unions as a “badly needed antidote to the misery and disruption of Covid-19". Using the hashtag #EduArtsFest we can all enjoy the vibrant and life affirming energy that this youthful outpouring of creativity will provide. Find out more about it here

Art and creativity are not just for our students. It’s for us, and it’s for everyone. Making art and being creative is a rejuvenating activity that we all need right now. We have made a new resource 'Discovering Creativity for Educators' to help educators take time out and rejuvenate themselves, and get ideas for the classroom too. Its free for educators, and you can find it here: 

Online Resource: Discovering Creativity for Educators


Mary Bousted, the joint general secretary of the National Education Union, talked to us about the benefits of art and creativity for the wellbeing of teachers as well as the development of young people.


SSF: Why is arts and creativity important in education?


Mary: I think that the arts are a primary act of mind. We know that there are ancient rock paintings being discovered which are much older than previously thought. Storytelling is a primary act of mind. We tell our life in stories. When we talk about our day, we tell a story. When we're remembering things, we tell a story. Stories are a way of making sense of the world. The arts are a way of making sense of the world. It's about expressing feelings and emotions and also reacting to the world.


As such it’s what defines our humanity our creativity defines us as human. We are the only animals which are creative in this way. That's why if education is to engage and develop the potential of the human being, it has to engage fundamentally and centrally with creativity and with the arts, in all their forms. If we don't do that, then we're not focusing on what is educating children and young people in the essence of what is human.


SSF: What do young people miss out on if they don’t have the opportunity to engage with arts and creativity in education.


Mary: If there wasn't an arts education in school and a creative education, then they miss out on the ability to develop all sorts of skills. Developing their imagination, developing ways to express how they’re feeling, the ability to move well, and speak well, translate what they are feeling or what they are experiencing into something really creative. Whether through art or through music or through drama.


If we want a broad and balanced curriculum something which will inspire and engage children and young people then absolutely the arts and creativity needs to be at the centre of that.


For myself when I was at school, I actually didn't enjoy school much. I always find people who enjoyed school to be rather odd, and I didn't enjoy school like a lot of people who then became teachers. One of my motivations for becoming a teacher was not to do to my pupils what was done to me. For me drama and music were the things which kept me at school. I was in the choir, that was hugely important, and I was in every play. My triumph was playing Oberon in ‘A Midsummer Night's Dream’ at a girls school. I loved everything about the plays. I love the rehearsals, I love the friendships you made when you were rehearsing, I love the thrill of the performance. For me that was another world. The magic of that other world was so important, and I know that gave me more confidence, it gave me the confidence to speak in public, it was such an important part of my school life. It was the only bit of my school life that I really enjoyed, apart from the English lessons.


SSF: Can art and creativity be brought into all areas of the curriculum?


Mary: I think bringing art and creativity into every topic is really important, but unfortunately, I don't think it happens too much now. I think the pressure of the accountability framework means that children spend a lot of their time in school sitting down listening, and then writing. I think that things are really being missed, particularly oracy and the use of talk to learn, and also creativity. It’s becoming more and more difficult to make those cross curricular links to insert creativity into other subjects. I think that's becoming really hard.


I think that's also part to do with the separation of subjects in a very rigid way. Lots of schools are now looking at the curriculum and the arts and creativity are really in danger. Because in the EBacc1 you just have one creative subject. We've seen already a decline in the number of children taking creative subjects at GCSE and funding cuts provide even bigger threats to that.


SSF: Is there a benefit for educators to make art and creative activities for themselves?


Mary: I think if teachers are creative themselves it gives them far greater confidence to introduce creativity with their pupils, and into their curriculum, and into their work, because it gives them something concrete to draw on. Actually, if you've experienced yourself, the immense pleasure of creativity, then that gives you confidence as well to think this is important, this is necessary, I know this for myself and I want it for my pupils.


I think it would be fantastic for more educators, more teachers, to be able to live creative lives. But I also think it would be fantastic for teachers to spend more time with their family and have some leisure time. With working hours approaching 50 hours a week that's really hard. I think the problem for us as a society is that we exhaust our teachers. Indeed, I'm writing a book about it so it's on my mind a lot at the moment. But if we could free up teachers’ time, and they could engage in creative activities, it would be so good for their own physical well-being, their mental well-being, and their mental health. It would be something that would enrich their lives and give something back to them, because at the moment teachers’ energy is just sapped through intense pressure and excessive work.


SSF: What would you say about our new resource ‘Discovering Creativity for Educators’?


Mary: Listen I know you're exhausted if you're a teacher. I know that you've got far too much work to do. But this is a fantastic resource, you can dip into it and spend 3 minutes getting fantastic ideas, about creative writing, about art, about music, about drama, about how to use creativity. The other thing is that it’s ideas from around the world, so if you're concerned about decolonizing your curriculum, if you're concerned about introducing themes and issues from around the world which reflects the cultural heritage of the pupils that you teach, or want to widen your pupils’ cultural heritage, then use this resource it's really fantastic.





We are really thrilled to be able to offer this resource, we are adding to it all the time, so have a look and keep popping back to see what more has been added. We’d like to thank all the contributors and also Mary Bousted for taking the time to speak with us about the importance of art and creativity in education.


We hope that many of you are able to join with others schools in filling social media with art and creativity with the young people that you work with on the 28th May, and remember to use the hashtag #EduArtsFest so that we can all appreciate it.




1 The English Baccalaureate (EBacc) is an accountability measure in England. It measures the proportion of children who secure a grade 5 or above in English, Maths, Science, a humanity and language GCSE. Arts subjects are not included.



Steve Sinnott • May 25, 2021
By Melanie Lavery March 3, 2025
Last year the Steve Sinnott Foundation supported the work of The Federation of Drama Schools by providing financial aid to new graduates, enabling them to take part in an industry showcase at The Abbey Theatre in Dublin. The showcase is an annual event for Irish graduates who have completed a professional training at one of the Federation’s partner conservatoires in the UK, introducing young actors to the industry they hope to work in. The Federation of Drama Schools partners are institutions that provide conservatoire vocational training for those who want to be professional performers, theatre makers and technical theatre practitioners. The courses they offer are for students of eighteen years and over, who have completed their school level education. In November (2024) fourteen young Irish graduates took part in the showcase and the SSF provided financial support to two graduates who may not otherwise have been able to take part in this showcase, which is a bridge between training and their professional career. Melanie Lavery from the Royal Welsh College of Music and Drama is one of those who benefitted from this support. Melanie writes of her experience. I would like to say a huge thank you to the Steve Sinnott Foundation for the support I received, making it possible for me to take part in the Dublin Showcase 2024. The opportunity allowed me to work with graduates from across FDS schools and widen my contacts in the industry. Coming from a socio-economically deprived area, I’ve often missed out on opportunities available to my peers. I have had to spend a lot of energy during my three years in drama school working to support myself and this has meant I often don’t have time to follow up network opportunities. In receiving this sponsorship and taking part in the showcase I have been able to connect with other Irish creatives - the people I am acting opposite, directors, casting directors and agents in the industry. These industry showcases are so important for graduates. It gives us the possibility of networking with industry professionals and hopefully the opportunity of taking that first crucial step into the profession we have trained for. As I studied in Wales, it gave me the chance to return to Ireland and to reach out to creatives there. The Foundation gave me this amazing opportunity to kick start my career in my home country. On the day of the showcase, I had such pride watching my fellow Irish peers performing on stage at Ireland’s National Theatre. Working together throughout the rehearsal period, I got to know them individually and we all helped each other to grow as performers. This showcase has helped me to create my own community of actors around me. When it came to talking with other creatives after the show case, I became so much more aware of how large and welcoming the industry is in Ireland and how much work is being produced here. I think this show case is so important as it highlights how vibrant and growing the industry is in Ireland. I feel so lucky that I was able to take part thanks to the help of the Steve Sinnott Foundation. For more information on the Federation of Drama Schools, professional industry showcases, and it’s partner schools please visit www.federationofdramaschools.co.uk
By Karen Bunning February 28, 2025
Since 2015 we have developed and supported self-help groups for caregivers of children with disabilities in a rural part of Kenya. Currently we have 12 self-help groups with a membership of around 135. Through their participation in the self-help groups, the caregivers are empowered to take control of their lives by speaking up, supporting each other and acting to bring about positive changes. An extension of university-based research and development, we registered our work on self-help groups with the UK Charity Commission in August 2023. Our in-country partner is Walezi Foundation- a non-government funded organisation. The aim is to further develop the potential of selfhelp groups in Kilifi County, one of the poorest areas in Kenya, and to grow the number of groups supported. Long-term caregiving has been associated with fatigue, distress and poverty. Many feel helpless in the face of such challenges and very much alone. A combination of superstition, stigma and discrimination marginalises these families. Not only can these children be excluded from education, employment and contact with other villagers, the level of stigma is such that the caregiver’s shame may lead them to deny their child’s existence. This creates social isolation for both the caregiver and the child. In the beginning we listened to what people told us about their lived experiences: “People at home have very little to do with the child. The child is lonely most of the time and there is little assistance from family members and the community.” What do the self-help groups do? The self-help group members meet regularly. They share their experiences as caregivers and provide support for each other. Our partner NGO – Walezi Foundation – visits all the groups at regular intervals. The caregivers are supported to talk about: their personal situation and consider ways to support each other in the group; the inclusion of persons with disabilities in home and community events; encouraging more positive attitudes towards disability in the community; the importance of accessing education and health services; and practical solutions to relieve the challenges faced by them all in everyday life. Working together they register formally as a self-help group with the Kenyan government department of Social Development and embark on livelihood activities to alleviate their financial challenges. Since 2023 we have provided start-up funds for capital projects to expand the financial capacity of each group. Some of the projects that have been started include: livestock rearing, hiring large tents and chairs for community events and building a water tower for storing and selling water. Through this work we have shown that membership of a self-help group can bring about dramatic changes to the caregivers’ lives and those of their children with disabilities, including: development of essential skills for livelihood activities; growth in family income; increased social support; better access to health for all; more children with disabilities in education. Over the next three years we aim to expand our coverage of community-based self-help groups in Kilifi County, Kenya and roll out our mentorship scheme across other African countries. If you want to find out more about our work, please go to our website: www.walezi-caregivers-kenya.org
By Bernard Noble February 24, 2025
Anyone who knows me knows that I am passionate about learning and could wax lyrical about how important education is and how we have to try our best to ‘get it right’. As I started to prepare to write this article; a task that asked me to list successes within education, I was shocked about what I learnt about myself … I lean towards pessimism! Why is this? I launched into research and soon soothed myself by the fact that the human condition favours pessimism over optimism as it sounds more plausible. For example: tell someone that everything will work out fine and you will probably get a polite dismissal or platitude. Tell someone that they are in danger (or something serious is going wrong) and you will have their undivided attention! I brought this insight with me to a recent lunchtime chat with a placement student of mine (who has recently left school) and her mentor. To their credit and good humour, they allowed me to ramble on until I asked them about their views on what has been a success within their own educational experience. Silence. I took this as first hand proof of the human proclivity towards pessimism. But when they answered in joint chorus, “knowing that my teacher cared for me”, I could not help but smile. Pastoral care is a true and lasting success of education. Our children and young people come to our schools from a range of backgrounds and experiences but school is the constant; a place filled with people who are there just for them. Educational debate around the use of Artificial Intelligence (AI) is huge at the moment. I would champion its use in regards to personalising the learning experience or streamlining processes but it can never replace that which is most important - relationships. We all need and crave a deep sense of connection and belonging no matter what our age and stage. With lunch over I wanted to find out more about the successes there have been within education over the years and with no one else to consult, I turned to my computer; a Large Language Model (LLM) to be precise. Immediately, as soon as I hit ‘enter’, a profound list of accomplishments appeared on screen: More students than ever are in school Technology is revolutionising education Teaching has become more inclusive and innovative We are learning to value teachers more (Are we? Sorry my pessimism needs to challenge this one!) Education is adapting to global changes My screen was positively overflowing with optimism. ‘Definitely not human’ I thought to myself. But the AI’s summary heading made me pause: ‘Embrace Creativity for the Next Frontier”. This made me think. Creativity, alongside relationships, is another success of educational practice. We are all creative, either consciously or subconsciously, in whatever task we are doing and it is our role as educators to help our pupils be creative in design, thought or approach, especially in a world that is embracing technology more and more. As I write, two alternate thoughts swirl within my mind: Does educational progress happen too slowly to notice? Or do topical, educational trends occur too quick to ignore? The latter would always make education a failure by default. All I know is that continued improvements within the education sector must be built upon evidence based research, utilising the learnings from cognitive science. For me, continued success within pedagogy must be formed upon knowing what works. For the sake of having a balanced argument, I will end on an optimistic note: “Rather than lamenting what’s not working, we should focus on what’s been built and how we can expand upon success. Education is not a lost cause—it’s a dynamic force that’s been evolving for the better over the past 15 years. Let’s continue to push it forward, not by fearing failure, but by embracing it as part of the process toward even greater achievements.” LLM 2024 Not too shabby, AI, not too shabby at all. BIOGRAPHY Bernard Noble is an educational consultant and founder of Learning Me. With a background as a school leader, pastoral care lead and SENDCO, he has expertise in pedagogy, educational policy, nurture, neurodiversity and learning disabilities. Passionate about holistic education, Bernard is a strong advocate for making emotional health and wellbeing strategies explicit.
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