Mary Bousted: The Benefits of Art and Creativity for Educators Wellbeing, and Students Development

On the 28th May schools are being encouraged to fill their social media channels with the arts; drawing, painting, music, dance, poetry, and drama. It was conceived by 9 education unions as a “badly needed antidote to the misery and disruption of Covid-19". Using the hashtag #EduArtsFest we can all enjoy the vibrant and life affirming energy that this youthful outpouring of creativity will provide. Find out more about it here

Art and creativity are not just for our students. It’s for us, and it’s for everyone. Making art and being creative is a rejuvenating activity that we all need right now. We have made a new resource 'Discovering Creativity for Educators' to help educators take time out and rejuvenate themselves, and get ideas for the classroom too. Its free for educators, and you can find it here: 

Online Resource: Discovering Creativity for Educators


Mary Bousted, the joint general secretary of the National Education Union, talked to us about the benefits of art and creativity for the wellbeing of teachers as well as the development of young people.


SSF: Why is arts and creativity important in education?


Mary: I think that the arts are a primary act of mind. We know that there are ancient rock paintings being discovered which are much older than previously thought. Storytelling is a primary act of mind. We tell our life in stories. When we talk about our day, we tell a story. When we're remembering things, we tell a story. Stories are a way of making sense of the world. The arts are a way of making sense of the world. It's about expressing feelings and emotions and also reacting to the world.


As such it’s what defines our humanity our creativity defines us as human. We are the only animals which are creative in this way. That's why if education is to engage and develop the potential of the human being, it has to engage fundamentally and centrally with creativity and with the arts, in all their forms. If we don't do that, then we're not focusing on what is educating children and young people in the essence of what is human.


SSF: What do young people miss out on if they don’t have the opportunity to engage with arts and creativity in education.


Mary: If there wasn't an arts education in school and a creative education, then they miss out on the ability to develop all sorts of skills. Developing their imagination, developing ways to express how they’re feeling, the ability to move well, and speak well, translate what they are feeling or what they are experiencing into something really creative. Whether through art or through music or through drama.


If we want a broad and balanced curriculum something which will inspire and engage children and young people then absolutely the arts and creativity needs to be at the centre of that.


For myself when I was at school, I actually didn't enjoy school much. I always find people who enjoyed school to be rather odd, and I didn't enjoy school like a lot of people who then became teachers. One of my motivations for becoming a teacher was not to do to my pupils what was done to me. For me drama and music were the things which kept me at school. I was in the choir, that was hugely important, and I was in every play. My triumph was playing Oberon in ‘A Midsummer Night's Dream’ at a girls school. I loved everything about the plays. I love the rehearsals, I love the friendships you made when you were rehearsing, I love the thrill of the performance. For me that was another world. The magic of that other world was so important, and I know that gave me more confidence, it gave me the confidence to speak in public, it was such an important part of my school life. It was the only bit of my school life that I really enjoyed, apart from the English lessons.


SSF: Can art and creativity be brought into all areas of the curriculum?


Mary: I think bringing art and creativity into every topic is really important, but unfortunately, I don't think it happens too much now. I think the pressure of the accountability framework means that children spend a lot of their time in school sitting down listening, and then writing. I think that things are really being missed, particularly oracy and the use of talk to learn, and also creativity. It’s becoming more and more difficult to make those cross curricular links to insert creativity into other subjects. I think that's becoming really hard.


I think that's also part to do with the separation of subjects in a very rigid way. Lots of schools are now looking at the curriculum and the arts and creativity are really in danger. Because in the EBacc1 you just have one creative subject. We've seen already a decline in the number of children taking creative subjects at GCSE and funding cuts provide even bigger threats to that.


SSF: Is there a benefit for educators to make art and creative activities for themselves?


Mary: I think if teachers are creative themselves it gives them far greater confidence to introduce creativity with their pupils, and into their curriculum, and into their work, because it gives them something concrete to draw on. Actually, if you've experienced yourself, the immense pleasure of creativity, then that gives you confidence as well to think this is important, this is necessary, I know this for myself and I want it for my pupils.


I think it would be fantastic for more educators, more teachers, to be able to live creative lives. But I also think it would be fantastic for teachers to spend more time with their family and have some leisure time. With working hours approaching 50 hours a week that's really hard. I think the problem for us as a society is that we exhaust our teachers. Indeed, I'm writing a book about it so it's on my mind a lot at the moment. But if we could free up teachers’ time, and they could engage in creative activities, it would be so good for their own physical well-being, their mental well-being, and their mental health. It would be something that would enrich their lives and give something back to them, because at the moment teachers’ energy is just sapped through intense pressure and excessive work.


SSF: What would you say about our new resource ‘Discovering Creativity for Educators’?


Mary: Listen I know you're exhausted if you're a teacher. I know that you've got far too much work to do. But this is a fantastic resource, you can dip into it and spend 3 minutes getting fantastic ideas, about creative writing, about art, about music, about drama, about how to use creativity. The other thing is that it’s ideas from around the world, so if you're concerned about decolonizing your curriculum, if you're concerned about introducing themes and issues from around the world which reflects the cultural heritage of the pupils that you teach, or want to widen your pupils’ cultural heritage, then use this resource it's really fantastic.





We are really thrilled to be able to offer this resource, we are adding to it all the time, so have a look and keep popping back to see what more has been added. We’d like to thank all the contributors and also Mary Bousted for taking the time to speak with us about the importance of art and creativity in education.


We hope that many of you are able to join with others schools in filling social media with art and creativity with the young people that you work with on the 28th May, and remember to use the hashtag #EduArtsFest so that we can all appreciate it.




1 The English Baccalaureate (EBacc) is an accountability measure in England. It measures the proportion of children who secure a grade 5 or above in English, Maths, Science, a humanity and language GCSE. Arts subjects are not included.



Steve Sinnott • May 25, 2021
By Ann Beatty July 23, 2026
Something is energising about spending time with people who genuinely care about children and young people. That was my experience at this year’s Children’s Media Conference in Sheffield. I had the privilege of joining the Local Heroes panel, sharing the story of Seeds of Hope for a Better Future - a partnership between UNESCO ASPnet UK and partners across the U.K and globally. Seeds of Hope has connected partners through collaboration on projects and has grown in the past year. One of the projects highlighted was the Lights Camera Score programme in schools, which is now working on an exciting project with Calderdale Council and the English Chamber Orchestra, which will showcase this August at Shibden House. As we enter the second year of the competition, it was encouraging to discover how much interest there is from writers, producers, educators and creatives who are asking the same question: How can we help young people imagine and create a better future? What struck me most throughout the conference was the intention behind the conversations. Rather than assuming what young people need, there was a genuine desire to listen, understand and create media that reflects their lives, their challenges and their aspirations. One of the most thought-provoking sessions gave the microphone to young people themselves. They were asked about the proposed social media ban for under-16s, and their responses were refreshingly honest. Their message was clear: they believed the ban would be difficult to enforce because young people would inevitably find ways around it. Instead of excluding them from digital spaces, they argued that our focus should be on making those spaces safer and on helping young people develop the skills they need to navigate an increasingly digital world. One comment in particular stayed with me. A young panellist admitted, “Yes, it’s true I spend too much time on social media but so do all of you adults in the room.” The audience responded with warm applause. It was a reminder that young people notice the contradictions in the messages they receive, and that meaningful dialogue begins with honesty rather than judgement. That session reinforced something I have long believed: if we are serious about shaping the future, we must involve the people who will inherit it. Too often, decisions are made about young people rather than with them. Yet when we create opportunities for them to share their ideas, they offer thoughtful, creative and practical perspectives that deserve to be heard. That spirit resonates deeply with the values behind Seeds of Hope for a Better Future. The competition is built on a simple but powerful belief: when children and young people are allowed to express their ideas through creativity, they do more than imagine change; they begin to shape it. Over the past two years we have seen young people respond with imagination, compassion and practical solutions to some of the world’s biggest challenges. Their artwork, writing, films and performances remind us that hope is not passive; it is something we nurture through creativity, collaboration and action. I left Sheffield feeling optimistic. Not because all the answers exist, but because I met so many talented people committed to listening to young voices and working alongside them. The enthusiasm shown for Seeds of Hope for a Better Future affirmed that there is a growing movement of educators, creatives and media professionals who believe children and young people should not only be represented in stories but also help shape them. Perhaps that is what being a local hero is really about. It is not about having all the answers. It is about creating the conditions for others to flourish, listening with curiosity and planting seeds of hope that will continue to grow long after the conversation has ended. You can follow the journeys below: https://www.stageatthelake.co.uk/seeds-of-hope https://threestonesmedia.co.uk/blog/portfolio-item/lights-camera-score/ Entries for Seeds of Hope for a Better Future for 2026 have closed, and we will be back again next year: https://unesco.org.uk/ For inspiration, you might like to have a look at the 2025 Winners: https://www.youtube.com/watch?v=_bb8PJS5j7k Ann Beatty UNESCO ASPnet Coordinator UK CEO, The Steve Sinnott Foundation Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/roo-walker/over-the-horizon License code: ZFK6D180PHNWXSYQ
By Marie Antoinette Corr June 10, 2026
1. Background and Rationale In The Gambia, school-related gender-based violence (SRGBV) remains a serious barrier to education. Girls are most at risk, though boys can be targeted too and human rights organisations increasingly recognise poverty itself as a form of structural gender-based violence. Period poverty - the lack of access to menstrual products, education, and sanitation sits at the heart of this problem. Without safe facilities or affordable pads, many women and girls are pushed into transactional sex just to manage their periods, exposing them to serious risk of physical and sexual assault. Even without that direct danger, period poverty quietly excludes girls from school and public life: missing class due to a lack of pads or poor toilet facilities fuels absenteeism, dropout, low self-esteem, and often early marriage, deepening cycles of poverty. This is a global crisis hiding in plain sight. An estimated 500 million of the 800 million people who menstruate worldwide struggle to afford period products, and nearly 1 in 4 students faces the same barrier. A burden that falls hardest on the already marginalised. In The Gambia, girls who can't afford sanitary pads often face poor academic performance, truancy, and lasting health and psychological effects. A lack of education around menstruation breeds stigma around something entirely normal and healthy. That's why community sensitisation is so critical. Breaking the taboo helps reframe menstrual products as necessities, not luxuries, and gives women and girls the tools to manage their health with dignity, including safe alternatives like reusable pads where commercial products aren't accessible. Training women to sew their own reusable pads goes further still, building not just access but autonomy and confidence. With GBV cases rising in both schools and communities, the need for coordinated action has never been more urgent. Tackling SRGBV and period poverty specifically isn't the job of one institution alone; it requires educators, communities, and stakeholders working together toward one goal: menstrual dignity and bodily autonomy for every woman and girl. In response, the Gambia Teachers Union, with funding from the Steve Sinnott Foundation, held three community sensitisation sessions on SRGBV and period poverty from 5–7 June 2026. Sessions included demonstrations on making reusable sanitary pads and distributed materials for step-down training in schools and communities. A total of 312 participants, including school mothers' clubs, community and religious leaders, and traditional communicators, attended across three venues: Farafenni Community Centre, Brikamaba Senior Secondary School Hall, and the Regional Education Directorate 4 (Mansakonko) Conference Hall. 2. Objectives Sensitise stakeholders on SRGBV and its impact on girls Offer a durable alternative to costly disposables, easing pressure on family budgets Improve hygiene and health to prevent infection Build community skills to make affordable, sustainable products like reusable pads Promote safe, inclusive school environments Break stigma through community-wide education Establish safe, confidential reporting pathways beyond traditional barriers Challenge harmful norms, victim-blaming, and cultures of silence Unite Mothers' Clubs and female teachers, leveraging their social and structural influence Build peer support networks with access to trusted adults for emotional support Expand access to menstrual products and champion menstrual equity The sensitisation was on Promote safe menstrual practices to prevent infections from unhygienic alternatives (rags, tissue, leaves, etc.) Teach private, hygienic methods for changing, washing, and drying Train girls and women to produce eco-friendly reusable pads from local materials Establish community-led pad banks and income-generating sewing groups for women Address the reality that girls miss 5 school days a month due to lack of pads or fear of leakage and bullying Level the academic playing field by reducing dropout gaps between boys and girls Shift community narratives to remove taboos and myths around menstruation Engage boys and men to build empathy and normalise periods as a shared, natural issue, not a "women's burden" The sessions were highly participatory, allowing teachers to share experiences, raise concerns, and explore context-specific solutions. Training on period poverty alleviation is critical because it empowers communities, breaks dangerous taboos, and tackles the economic, health and educational barriers associated with menstruation. By building local capacity, it creates sustainable long-term solutions. Participants were happy about the training and committed to conducting step-down trainings for other Mothers' Clubs and adolescent girls in their schools. Participants were given sets of materials to start with. The pads will help girls have a reliable and sustainable solution to their menstrual worries, hence enabling them to avoid infections, exploitation, shame, low self-esteem, stress, and they will remain in school Materials for Distribution
By Ann Beatty June 1, 2026
On Friday evening ( 29 May, 7.00 pm The Actors Church Covent Garden) we had the pleasure of listening to this very special concert, bringing together the Choir of King's College London and the Princeton High School Orchestra in a celebration of international friendship, collaboration, and shared values. This project reflects a commitment to peace, sustainability, equality, and cultural exchange, uniting young musicians from the United Kingdom and the United States through the universal language of music.